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You Are Not the Product — You're the Target: Reclaiming Attention in the Algorithm Age

Sander Hicks
You Are Not the Product — You're the Target: Reclaiming Attention in the Algorithm Age

Photo: Photograph by Mike Peel (www.mikepeel.net)., CC BY-SA 4.0, via Wikimedia Commons

Let's get something straight. The phrase "if you're not paying, you're the product" has been floating around tech discourse for so long it's lost its teeth. It sounds like a warning, but it's been domesticated into a shrug. People hear it and think, yeah, yeah, ads, whatever. They keep scrolling.

But that framing actually lets the platforms off too easy. You're not just a product sitting passively on a shelf. You're a target. Your attention is being hunted, shaped, and harvested in real time by systems that are specifically engineered to override your better judgment. That's a different thing entirely. And once you feel the difference, it changes how you think about every tool you use to reach people.

The Hidden Tax Nobody Talks About

Here's what platform dependency actually costs independent creators and activists — and I'm not talking about the obvious stuff like demonetization or shadowbanning, though those are real and they are brutal.

I'm talking about the cognitive tax. When you build your entire audience on someone else's infrastructure, you spend an enormous amount of mental energy trying to decode and appease an algorithm you will never fully understand. You start making content decisions based on what the machine seems to reward this week. Your editorial instincts get slowly replaced by a kind of algorithmic superstition. You post at certain times. You use certain words. You avoid certain topics because the last time you touched them, your reach cratered.

That's not journalism. That's not activism. That's performing for a landlord who can change the rules or evict you at any moment.

And the evictions do happen. Ask anyone who built a Facebook page to tens of thousands of followers and watched their organic reach collapse overnight when the algorithm shifted. Ask the independent news outlets that depended on Twitter traffic before the platform became a chaos experiment. The rug gets pulled. It always does.

What "Owning Your Audience" Actually Means

The antidote people keep landing on — and I think they're right — is direct relationships. Newsletters. Community platforms you control. Offline channels. Things where you know who your people are and can reach them without begging an algorithm for permission.

Email lists are boring to talk about. They're not sexy. Nobody's making a documentary about Substack. But here's the thing: an email subscriber is a fundamentally different relationship than a social media follower. A follower is someone who might see your content if the algorithm decides they should. A subscriber is someone who said, yes, I want to hear from you, and gave you something real — their inbox, their attention, their trust.

That's not a small distinction. That's the whole ballgame.

The newsletters that are working right now for independent journalists and activist media aren't necessarily the most polished ones. They're the ones that feel like a letter from a person, not a brand. They're specific. They're honest about what the writer is trying to figure out. They build a sense of ongoing conversation rather than broadcast.

Community as Infrastructure

Beyond the newsletter, there's a growing movement to build actual community spaces — Discord servers, Signal groups, Patreon tiers with real access, in-person events. These aren't just audience engagement tactics. They're infrastructure.

When your community is a place people actively choose to inhabit rather than a feed they passively scroll through, you have something qualitatively different. You have people who are invested. Who will show up. Who will share your work because they believe in it, not because an algorithm surfaced it at the right moment.

I've seen this work firsthand in activist contexts. The organizations doing the most durable work aren't the ones with the biggest Instagram followings. They're the ones with the tightest email lists, the most active text chains, the people who actually show up when something needs to happen. The platform metrics are almost irrelevant to their real power.

Going Offline Isn't Retreat — It's Strategy

There's also something to be said for getting completely off the screen. Tabling at events. Distributing zines and physical newsletters. Showing up at community meetings. These things feel slow. They don't go viral. But they build something that digital reach fundamentally cannot: embodied trust.

When someone picks up something you made with their hands, reads it on paper, meets you in person — that's a different neurological experience than consuming your content in a feed between a meme and a sponsored post. The signal-to-noise ratio is completely different. You have their actual attention, not their distracted half-attention.

For independent creators who are serious about building lasting audiences rather than chasing metrics, some combination of digital-direct and offline presence is increasingly the answer. It's slower. It scales differently. But it's yours in a way that a platform following never will be.

The Practical Starting Point

If you're reading this and feeling the pull to actually do something about it, here's where to start: pick one thing this week. Start the email list you've been putting off. Set up a free Substack or a Buttondown account. Export whatever follower data you're allowed to export from the platforms you use. Start treating your audience like people you have a real relationship with rather than numbers in a dashboard.

The attention economy is built on your compliance. The moment you start making decisions based on what your audience actually needs rather than what the algorithm rewards, you've started opting out. That's not a small thing. That's the whole resistance.

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